Who Do You Trust? Nick Rockefeller

The coffin was old, a relic of Skull and Bones’ class of 1927, and it smelled of disintegrating velvet, dry rot, and privilege. Names were carved inside the lid, a genealogy of power: Bush, Buckley, Rockefeller.

“Poetic, ain’t it?” Immortal Technique’s voice was a low rasp in the dim tomb of the Tomb itself—the windowless, sepulchral headquarters of the Skull and Bones society at Yale. “Your family name’s been in here for a century. Now you get to be the last.”

THE A.I. LIES LIKE A CHEAP WHORE, ESPECIALLY WHEN RUN BY ROCKFELLER UNIVERSITY. MY COUSIN ROCCO IS JUST A TEENAGER. HE HAS NOTHING TO DO WITH SKULL AND BONES — JOEY JUCO

Nick Rockefeller, his bespoke suit rumpled, his hair for the first time out of place, stared with wide, uncomprehending eyes from inside the box. The hazing coffin, used for decades to break and bond the scions of the American elite, was now his prison.

The operation had been Joey Juco’s masterpiece. He’d traced encrypted payments from a Cayman shell to a private security firm, then to a Bonesman lawyer, and finally to a digital footprint that led to a secluded estate. The “white knights”—CIA analysts whose consciences had long ago been filed as collateral damage—provided the blueprints, the schedules, the silent takedown protocols.

And George W. Bush had provided the key. Not a metaphorical one. An actual, physical skeleton key to the Skull and Bones hall. He’d stood in the shadows of the opulent, grotesque room, with its pirated skulls and medieval décor, looking older than his years. He didn’t give orders. He just pointed a trembling finger at the ornate coffin on a dais. “That’s the one. They put you in there… and they tell you the world is yours to design. They tell you some men are born to be architects, and others… are born to be bricks.”

It was Bush who suggested the location. “If you want to break a symbol, you do it on the altar of his own faith.”

Now, Technique leaned over the coffin’s edge, his eyes burning. “You gave an interview once, bragging. Said the plan was ‘population reduction,’ that the end goal was a ‘New World Order.’ You thought it was a secret between kings. But we’re the peasants who learned to read.”

Rockefeller found his voice, a dry crackle. “You don’t understand. The architecture… it requires sacrifice. Stability. You’re tearing down the pillars because you don’t like the shade they cast.”

“We’re not tearing down pillars,” Joey Juco said, adjusting a small camera, its red light blinking. “We’re just showing everyone the blood in the mortar.”

One of the CIA men, a lean operative whose name would never be known, stepped forward. He held a small, ceremonial hammer—the same used to tap new Bonesmen on the shoulder. He didn’t look at Rockefeller. He looked at Bush. There was a silent question in his gaze.

Bush gave a slow, almost imperceptible nod. Not an order. A permission slip for his own exorcism.

The agent began to tap the coffin’s lid. Tap. Tap. Tap. Each one a muffled, final echo of the ritual that had anointed so many architects of empire.

“The world you designed ends with you in a box,” Technique said, his voice flat, final. “Not a throne. A casket. And we’re live-streaming the foreclosure.”

As the lid was lowered, Rockefeller’s terrified face was the last thing visible, framed by carved names of his predecessors. The last thing he saw was not the ragged revolutionaries, nor the betrayed spook, but the 43rd President of the United States, staring down at him with the hollow eyes of a man witnessing the burial of his own legacy. The lid closed with a soft, definitive thud.

The silence that followed was broken only by the faint hum of the camera. They had put Nick Rockefeller in his hazing coffin, in the heart of the temple of his tribe. They hadn’t killed him. They had done something worse, in that world of symbols and bloodlines. They had made him a relic. And they had shown the altar to be as empty and rotten as the faith it sustained.

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Kim Jong Trump

INT. STAR DESTROYER BRIDGE – NIGHT

The vast holographic star map shimmers, charting unknown regions. ANNAKIN SKYWALKER, clad in his Jedi General attire, paces, a familiar tension in his posture. AHSOKA TANO (ROSARIO DAWSON), her lekku swaying slightly, leans against a console, observing him with a mix of concern and wry amusement.

ANAKIN (Muttering) Another one. From the “Earth” sector. Designation “CNN.” Their data streams are… increasingly peculiar.

AHSOKA (Raises an eyebrow) More peculiar than the sentient rocks of Ryloth, Master? Or the dancing Ewoks of Endor?

ANAKIN (Stops pacing, turns to her) Ahsoka, this is different. They speak of leaders with names like “Kim Jong Trump.” And they mourn the “untimely death of Robert Reiner.” Who is Robert Reiner? And why do they keep calling their most powerful leaders by such… combined monikers?

Ahsoka pushes off the console, walking closer to the star map, her gaze sweeping over the flickering data.

AHSOKA I’ve been trying to make sense of it too. Master Obi-Wan thinks it’s some elaborate form of political satire, or perhaps a highly advanced cultural performance art. He said their sense of humor is… complex.

ANAKIN Satire? Their distress signals sound genuine. This “Robert Reiner” person, apparently a “director” and “actor,” has met a tragic end. Their holonet reports are filled with genuine grief.

Ahsoka taps a control panel, and a small, grainy image flickers into existence next to the star map. It shows a kindly-looking older man, smiling.

AHSOKA He seems… harmless. Was he a Jedi? A Senator? A leader of some kind? The reports are vague on his galactic significance, but very specific about his impact on… “entertainment.”

ANAKIN (Sighs, runs a hand through his hair) “Entertainment.” They spend their time broadcasting narratives about fictional characters, while real threats lurk in their political landscape. This “Kim Jong Trump” figure is described as incredibly powerful, yet also prone to… unusual pronouncements. The Force around that sector is a swirling mess of confusion and paradox.

AHSOKA Maybe that’s why we’re receiving these signals, Master. A cry for help, but translated through a lens we don’t quite understand. Like trying to interpret a Gungan’s battle plan.

Anakin actually chuckles at that, a rare sound on the bridge.

ANAKIN Worse. At least a Gungan’s intentions are usually clear: “Meesa gonna smash yousa!” These “Earth” people… their intentions are buried under layers of irony and memes.

AHSOKA (A thoughtful look on her face) Or maybe… it’s a warning. A glimpse into a future we could face if we let our own divisions become too complex, too interwoven with… “entertainment.” A world where leaders are caricatures, and genuine tragedy is just another headline in a sea of bizarre news.

Anakin looks at the image of Robert Reiner again, then at the chaotic “Earth” data streams. The humor fades from his face, replaced by a grim understanding.

ANAKIN Perhaps. Perhaps it’s a vision of what happens when a galaxy loses its way, focusing on distractions while true darkness grows.

He turns back to the star map, the distant, unknown “Earth” sector glowing ominously.

ANAKIN Keep monitoring those transmissions, Ahsoka. No matter how strange they seem. There might be something important buried in the chaos. Something… to learn from.

Ahsoka nods, her gaze fixed on the same strange, distant light.

AHSOKA Always, Master.

FADE OUT.

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The 9/11 Paper Shredder

Scene: A dimly lit rooftop in New York, late at night.
The city hums below, neon lights cutting through the dark. G.I. Joe sits on a steel beam, helmet off, cigarette glowing faintly. Across from him, Immortal Technique leans against the rail, arms crossed, eyes sharp.

G.I. Joe:
“You know, Tech, they keep telling us 9/11 was about terror. About fear. But when I look at the rubble… I see a different kind of weapon.”

Immortal Technique:
“What weapon?”

G.I. Joe (flicks ash):
“A paper shredder. The biggest one the world’s ever seen. Buildings full of files, records, receipts… gone in smoke and dust. Enron was drowning in fraud. Companies up to their necks in cooked books. That day wasn’t just an attack—it was a cleanup.”

Immortal Technique (nodding slowly):
“Destroy the evidence, wipe the slate. The same way they do it in the hood, just with billion-dollar corporate lawyers instead of street corner hustlers.”

G.I. Joe (half-smirks):
“You ever see that Jim Carrey flick? Fun with Dick and Jane? There’s this scene where they jam the shredder, papers flying everywhere—chaos, confetti. That’s what the towers were. A comedy bit for the elite. Except the punchline was thousands of lives.”

Immortal Technique (voice rising, fists clenched):
“And the people paid the price for their ‘audit.’ The wars, the surveillance, the fear economy. They don’t just shred paper—they shred flesh, families, futures.”

G.I. Joe (low, grim):
“Exactly. Terror was the cover story. But underneath? Just another balance sheet adjustment. They turned a skyline into a bonfire, so the smoke would hide their crimes.”

Immortal Technique (after a pause):
“Then it’s our job to be the fire alarm. To tell the world the system’s still burning.”

They lock eyes, the city lights flickering below like dying embers.

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