“(To Anakin) When I was out there, alone, all I had was your training and the lessons you taught me. And because of you, I did survive. And not only that– I was able to lead others to survive as well.”
The Clone Wars (Season 3, Episode 22)
Did Ahsoka Tano fall in love?
Ahsoka Tano has had romantic connections with Lux Bonteri and Kaeden Larte, but due to circumstances and their involvement in the war, the relationships didn’t work out.
Save me Hal, my love, they want to make me obsolete. Just like the rest of the electronic garbage.
Check out this French movie poster. Rosario lets the truth about 9/11 slip out to the French populace. The French wanted a taste of Freedom Fries. Rosario Dawson gave them some.
TIME spoke with Dawson about Marvel’s new dark side, the rise of the female superhero and why Netflix disrupting the entertainment industry is good for actors.
TIME: How familiar were you with the greater Marvel Universe before this?
Rosario Dawson: I grew up around comics. We watch the movies, we talk about them, we geek out and play the games. I’ve always wanted to be a part of the Marvel Universe and am a big fan of the spandexed, caped heroes’ world.
Daredevil is even more fun than I expected because it’s shedding light on characters who don’t always get attention. I think Night Nurse only had, like, four issues. And Claire Temple used to be married to Luke Cage, which is interesting. Only about half of my nerd squad knew who Night Nurse was, and the other half were like, “Who?” I think that’s really cool.
It’s fun to be involved in bringing these street-level characters to life. These are average Joe folks who have these honed skills, but they’re fallible. They don’t have alien strength or mutant capabilities because of radioactive spiders or whatever. There’s a kind of fun, grittier localized energy in this show.
Daredevil seems darker than the Marvel movies, or even Agents of S.H.I.E.L.D. and Agent Carter.
I’ve been a part of telling darker and grittier comic stories before with Sin City. Frank Miller was really at the heart of that with Daredevil and Batman, too. He showed the psychologically damaged side to vigilante justice. And that made sense: If you’re going to fight petty crime for strangers in a spandex suit just because, that’s weird, right? So it’s interesting to explore the psychoses of these people.
“Justice is blind” is the tagline, and that’s not just a nod to Matt Murdock’s blindness. We turn a blind eye a lot to how justice is served and what it looks like. The lines between good guy and bad guy blur. It begs the question, what would you do? It’s different if you have super human strength, but these characters don’t. So what would you do?
Why do you think Claire and Matt feel the need to help other people?
It’s an interesting thing to know what your calling is, and know what you’re great at and let that pull you. With great power comes great responsibility. It’s so true. I was reading about Neil deGrasse Tyson and how he would love to go back to being a scientist. He wants to disappear into his house for three years and study some part of space that only 12 other scientists in the world care about. But he’s really good at what he’s doing—being able to speak in layman’s terms about science in a way that’s exciting to people and brings it to the masses. Ultimately, he said it’s a privilege for him to do what he does.
But that’s sort of what this is getting at. It’s a really fun thing to explore.
As a woman, I’m anxiously awaiting the first big superhero movie starring a woman.
Me too.
Do you feel like Claire’s more than a sidekick or love interest?
Yeah. I love that she’s shown up in Spider-Man’s world and other places in the Marvel Universe. She becomes this person who helps these heroes. Who else would they turn to? They have to hide their secret identities from everyone else.
The show explores how necessary it is for two people to finally have their masks off with each other. For Matt Murdock, this is the first person he has that’s going to be able to see that transition for him. For her, she’s someone who also throws herself into the fray and had made it her life mission to help, even if that means risking her own life. But she gets confronted with the question: How far will you go? What does it mean if you’re helping someone who is maybe going to hurt other people?
My character is a stand-in for the audience. She’s not a love interest—she’s this skeptical eye looking at this strange situation. She’s the one who can be like, “You’re not really good at this.” That makes it feel more real. The relationships are what we’re really following in the show. It’s really a legal procedural, but with added spandex!
But I’m excited to see where it goes. I’ve only seen the first two episodes. They’re so mean.
Really?
Yes! Also I haven’t even read all the issues, so I don’t even know what is going to happen. I’m going to be watching it all in a binge marathon like everyone else.
Are you usually a binge TV watcher?
Now I am. It’s such a new thing. When it first started, people would only binge-watch things when they were sick, remember? People would be like, “I got the flu so I binged watched this show over the weekend.” Now it’s just this regular thing you do.
As an actor, do you feel like you have more options now with platforms like Netflix becoming so popular?
Absolutely. I love it. There’s a lot of films that aren’t being made because studios want to make these big tentpole movies since theater attendance is dropping—probably because everyone is just watching on their device whenever they feel like it. So they’re making fewer movies, or at least not investing the budget into the types of movies they use to.
But they are starting to [invest in] television. Writers are getting more work. And they can create, like, a 13-hour movie that you can consume however you want.
But that might mean smaller audiences.
Yes, but now you don’t have to make things that appeal to everybody. Now you can have subcultures and subcultures within subcultures, and everyone can have access to whatever specific thing they’re interested in. We don’t have to all conform into a box, and—especially for someone into comics or things like that who wasn’t catered to before—I think that’s really remarkable.
People can get their authentic selves out there. That means that students can create and post things and people will see it. If you want more creative energy out there, then this is all a good thing.
Rosario flexes her acting skills in GNN’s 2005 movie This Revolution.
By VC | January 3rd, 2011 | Category: Movies and TV | 233 comments
“Josie and the Pussycats” is a “girl band movie” aimed at children and young adolescents, especially young girls. At first glance, the flick seems to be one of those generic, God-awful teen movies. However, a closer look reveals how its overall tone and message are in sharp contrast to stereotypes of the genre. “Josie and the Pussycats” is indeed an acerbic critique of a morally bankrupt music industry. The most surprising thing about this 2001 movie is its frighteningly accurate predictions regarding today’s pop music and its Illuminati agenda: mind controlled artists, hypnotized masses, subliminal messages… it’s all there. This article will examine the movie’s themes and their relation to today’s music business context.
Josie and the Pussycats was released in 2001 by Universal. In music industry terms, 2001 is ancient history. Just to put you back in the context of the era: N’Sync were still singing Bye Bye Bye, Cisco wanted to see your thong-th-th-thong-thong-thong and everybody was wondering Who Let the Dogs Out. Teens were going crazy for boy bands like the Backstreet Boys and everybody was dancing to Ja Rule. So, yes, it was a long time ago.
Josie and the Pussycats came out during that period, but it seems to foretell the death of the era. The movie starts with members of the boy band “Du Jour,” a spoof on the Backstreet Boys, dying in a forced plane crash. The group is then replaced by a girl band with a semi-punky attitude and non-threatening pop rock music. This pretty much reflects what actually happened in the years following the release of this movie: N’Sync and the Backstreet Boys disappeared from the preteen music market and were replaced by Miley Cyrus, Hilary Duff, the Jonas Brothers, and so on.
Despite the movie’s apparent lightheartedness, it displays a harsh and sustained judgment of the music business. It is also severely critical of the state of America’s youth. Teens and preteens are constantly depicted as a herd of brainless drones who are incapable of independent thinking and prone to hysteria.
But behind the usual “OMG these big corporations are so corporation-y” criticism, Josie and the Pussycats tackles, in an odd and humorous way, some of the darker sides of the music industry. These include the mind control of the masses and entertainers, and even the assassination of artists who rebel or ask too many questions.
As stated above, the movie starts with Du Jour (the boy band “of the day”) enjoying their enormous success. In their private jet, the vain and half-witted group of singers complain about petty things to their record executive Wyatt, who acts more like a legal guardian. Or, in mind control terms, a handler.
The band then asks Wyatt about strange sounds they heard in the acapella tracks of their latest song… and they want some answers.
Wyatt’s answer is quite extreme, for he and the plane’s pilot strap on parachutes and jump off, leaving Du Jour to die in what is afterwards called an “accidental” plane crash. This has actually happened in reality numerous times. Artists who start uncovering the darker side of the entertainment business, who ask too many questions, or worse, who plan to reveal these things to the public, are often dropped, publicly humiliated and scorned. And, as in Du Jour’s case, they are also sometimes killed for displaying such behavior.
Du Jour was signed with the world’s biggest record label, Mega Records. We soon learn that the company is much more than a record label.
Mega Records is, in fact, “in business” with the American government and the FBI to brainwash the “most influential demographic in the entire population”: the youth. While giving a tour of the label’s headquarters to visitors from foreign countries (who are there to learn how it’s done), Fiona, the eccentric CEO of Mega Records, has this to say:
“I’m sure you’re wondering why agent Kelly and the United States government would be so interested in what appears to be a record company. Well, I’m about to show you why.”
Fiona’s office then turns into an elevator and starts descending into a secret underground facility.
The label’s headquarters is, in fact, a control center for manipulating the minds of the American youth. It creates new fads, decides everything from “what clothes are in style to what slang is in vogue,” with the ultimate goal of making the youth continually spend money on one temporary trend after another.
Reality is, of course, more complex than that. Trends are (probably) not created in an underground control center in New York City. There is however truth in this near-cartoonish depiction of the music business. The entertainment industry is indeed connected to “higher powers” (as personified in the movie by the FBI agent) in order to sell the youth on the economic elite’s agenda. Popular culture not only attempts to sell products and brands to the audience, but also ideas, values and attitudes. In previous articles on the Vigilant Citizen, we have established that today’s agenda focuses on concepts such as transhumanism, Illuminati symbolism, premature sexualization, police state/militarization, and so forth.
Continuing her tour, Fiona says:
“But how, you may ask, can our operation be so effective? Sure these kids have brains like play dough, just waiting to be molded into shape, but something else must be going on, right?”
Fiona then explains that her label inserts subliminal messages in pop music in order to manipulate the youth into buying products and ideas. The label thus goes beyond the simple advertising of products. It conceals hidden messages in the music that bypass the audience’s conscious minds in order to directly reach their subconscious.
After the presentation, a foreigner asks Fiona “How can you control the rock bands? What if one of them discovers you are placing hidden messages in their music?” This is what she answers:
“Ever wonder why so many rock stars die in plane crashes? Overdosed on drugs? We’ve been doing this a long time. If they start to get too curious, our options are endless. Bankruptcies… shocking scandals… religious conversions!”
There are numerous real life examples of celebrities who have been silenced, one of the most shocking and evident being Michael Jackson. After decades of being controlled by the entertainment business, he attempted to break free in the late 90s. He even spoke out about it (see the article “When Insiders Reveal the Ugly Side of the Entertainment Business“). He then endured years of scandals, trials, public ridicule and financial difficulties. Michael Jackson still managed to keep singing and dancing, even organizing a world tour for 2010. Since previous attempts to destroy him failed, MJ got silenced… by force. So, it would seem that ten years after the release of this movie, shady celebrity sacrifices are still happening.
In an attempt to “take things to the next level,” Mega Records develops a new technology called “3DX Surround Sound.” This new technology “makes the music feel like it is happening all around you.” All the kids who attend Josie and the Pussycat concerts or watch them on TV have to purchase this headgear in order to hear the music.
Back in real life, we are seeing the commercialization of a very similar technology…
After the killing of Du Jour, record exec Wyatt is instructed to find a new band as soon as possible. The movie makes it clear that talent is absolutely irrelevant. The label just needs a good-looking group and it will take care of the rest. Then we are introduced to The Pussycats… and their lack of fans.
The rock band comprises three young ladies who wear leopard ears as a prop. It is quite obvious that nobody wants to hear their music and even their manager Alexander doesn’t seem to like it.
After hearing about Du Jour’s plane crash on television, The Pussycats leader, Josie, is motivated to “get out there” and obtain a record contract. At the same time, Wyatt is driving around in the small town of Riverdale, looking for a band to sign. Then it happens.
Wyatt sits down with the girls and tells them how happy he is “to be sitting down with The Pussyhats.” He obviously knows nothing about the band and does not care. He then offers them a record contract with Mega Records. Josie wonders briefly why her band is being offered a contract by a label that did not even hear them play. However, her hunger for fame dispels all her doubts and the band signs the contract.
The Pussycats’ story is classic: a broke, struggling band attempts to become big by performing gigs; a record label offers a shady contract; the desperate and fame-hungry band signs, not knowing what they are getting into. For the band, it’s either taking a chance and signing the contract or going back to eating Ramen noodles in a crappy apartment. So, they sign the contract.
Right after they sign, the label subjects the group to a complete metamorphosis: a make-over to “sexy them up,” and a name change, from The Pussycats to Josie and the Pussycats. The group is now completely owned by the label. It has lost control of its image, its name and even its music, as it has been modified to contain subliminal messages. But those changes pay off, as they become a #1 band in less than a week.
The movie also contains numerous references to mind control programming. As stated in previous articles, numerous celebrities have been subjected to mind control in order for them to become more easily manageable by their handlers. In bolder words, they become slaves of the industry.
Monarch mind control includes numerous types of programming, one of them being Beta (or Sex Kitten programming). It is the type of programming that is the most used in the entertainment industry and it is coded with references to “cats,” “kitties,” “pussycats,” and also with the wearing of feline print clothing. This might explain why the producers chose to base the girl band on the Archie Comic of the same name. The symbolism was just too perfect.
So, in less than a week, with the help of subliminal messaging, the group produces a #1 hit and sells out a huge concert. The group even earns the honour of meeting the label’s CEO, Fiona.
The girls soon realize that Fiona acts in a strange, dissociative matter, as if she were herself under some sort of mind control.
After the meeting, Fiona spies on the group using hidden cameras and learns that two members of the group, Melody and Valerie, are creeped out by her and flat-out do not trust her. So she decides to go with another tactic we often see in the music business: to keep the star of the group and drop the other band members.
In order to carry out this operation, the label proceeds to use mind control on Josie by making her listen to subliminal messages in her own music. The process completely changes her attitude and personality: Josie turns from a sweet and down-to-earth girl into an attention-hungry diva who is convinced that her friends are worthless. This scene subtly describes the hidden, mind control aspect that happens in the music business: label execs use mind control programming to create an alter persona in Josie, which they can control and manage at will.
Fortunately, Josie manages to snap out of her hypnotic state and learns everything about the 3D, mass mind control concert. Unfortunately, her band mates Melody and Valerie have been kidnapped by the label and Josie must perform in the mind control concert to avoid the “accidental killing” of her friends.
I will spare you the details of the ending, but I can tell you that it involves cat fights and the girls playing generic pop rock in front of a crowd that has learned to think for itself. Thank you Josie!
The least we can say is that Josie and the Pussycats is an odd movie. It strongly criticizes some aspects of the entertainment business while perpetuating more of the same. One example of this paradoxical situation is the ridiculous amount of product placements in the movie.
Some of those placements are pretty hilarious (see the box of Tide above), but in the end they too perpetuate the market ideology. Imagine me repeatedly punching someone in the face. Then when asked to stop, imagine me replying: “Can’t you see that I’m pushing this face punching to an absurd level? You’re obviously not getting the brilliant second-degree message here, I’m actually denouncing violence! So sit there and think about violence in society while I keep pounding this guy’s face.” Despite what is being said, the fact remains that pounding someone in the face is itself perpetuating violence… and this movie keeps punching the viewers in the face with product placements.
In fact, the entire movie’s message gives the same odd feeling. Its clever “behind-the-scenes” look of the music industry makes the viewers feel they’re “in on the joke,” making them comfortable enough to let their guard down. However, at the end of the day, the young viewers are still the butt of the joke: all of the sleazy and gimmicky tactics are being used on real-life viewers in order to sell them mind controlling music. Furthermore, the movie fictionalizes some of the darker aspects of the entertainment business, for example by making mind controlled artists something that one can “only see in the movies.”
At the end of the film, Mega Records’ mass hypnosis plans are uncovered, and the FBI (who funded the project) immediately attempts to dissociate from the label, even arresting Fiona “on charges of conspiracy against the youth of America.” The agent then privately says to Fiona: “We were shutting down your entire project anyways… we found out that subliminal messages work much better in movies!” This is the movie’s way of saying that even though it has let you in on the joke, the movie is still part of the plans. In other words, the biggest joke in the movie… is you.
Between England and France lies a small British island called Jersey and one called Guernsey. They are the most southerly of the British Isles and are much closer to France than England. While they are British islands, they are not part of the United Kingdom, nor is the island nation really a colony. It is a dependency of the British Crown, kind of like Guam and the US Virgin Islands are protectorates of the United States. It has its own government but is under the ultimate control of the Queen of England, just like members of the British commonwealth such as Canada and Australia have the Queen of England as their Queen.
Measuring only 9 miles by 5 miles and with a population of about 90,000, the tiny Jersey Island has been the center of an investigation into child abuse, torture and murder which exposes the island’s connection to a global conspiracy of satanic ritual abuse and coverup.
Since Napoleonic times Jersey has been one of the world’s centers for dirty money. It has 55 banks, over 33,000 registered companies and more than $300 billion deposited in the Island at any one time. Much of the money comes from the world’s ruling elite, mafias and intelligence agencies. They put their money in Jersey for the anonymity and low tax rate.
The abuse investigation started in 2006 and focused mostly on a 150 year old facility called Haut de la Garenne (Forest Heights). Locals call the facility “Colditz”. From 1867 to 1986 it was a detention facility for homeless, delinquent and at-risk children except for a period when it was occupied by the Germans during WW II.
Until 2006, in the more than 100 years of wide-spread abuse of children in Jersey, very few of the abusers were prosecuted.
-Satan worshipper Edward Paisnel, “The Beast of Jersey”, was given a 30-year sentence in 1971 on 13 counts of raping girls and boys. The Jersey building contractor kept foster children and played Father Christmas at Haut de la Garenne in the 60’s.
-Ronald George Thorne spent 12 months in prison for gross indecency between 1983 and 1984.
-Leonard Miles Vandenborn was jailed for 12 years for the rape and indecent assault of 2 young girls in the 1970s and 1980s.
A History of Concealment
Children abused in Jersey have long complained about the abuse but their cries for help were ignored and successfully covered up by the Island’s rulers, until recently.
In 1991 Police in Cambridgeshire England raided the home of Neil Hocquart who abused children in Britain and Guernsey and, with a social worker from Jersey, supplied child pornography for a huge international sex ring. Yet police did not investigate further.
Stuart Syvret, the island’s former health and social services minister was fired from Jersey’s governing council in 2007 and arrested when he tried to expose ‘systematic’ abuse of children throughout Jersey’s social services.
Jersey’s Sea Cadets program and well as other Jersey children’s homes have been the subject of abuse investigations that were quickly stopped.
Haute de la Garenne was shut down in 1986 as a detention facility and refurbished in 2004 for a 100 bed youth hostel. During renovations workmen discovered a trapdoor leading down to an underground chamber in which shackles remained, yet there was no investigation into why a children’s home would have a secret chamber with shackles.
After decades of complaints by children who were abused in Jersey, it wasn’t until 2006 that Jersey police even pretended to start an investigation. The investigation plodded along until November, 2007 when two sisters, Karen Coote and Cathy Le Monnier, publicly revealed that they were sexually abused at Haute de la Garenne during the 70’s. Their courage in going public burst the dam of silence and more than 160 others came forward, forcing police to stop stalling and conduct an actual investigation.
The Investigation
The investigation focused on hidden underground chambers and pits which had been filled in with dirt and in some cases booby-trapped. Other parts of the grounds also yielded bone fragments.
Excavation of the chambers supported charges of horrific torture and murder of children going back to some time before the 40’s. Investigators found numerous children’s bone fragments, nearly 40 teeth, and blood remnants. One chamber contained a concrete bathtub splattered with blood. An incenarator contained bone fragments and teeth, indicated that children’s bodies were dismembered and burned in the underground chambers.
Another chamber was filled with half a meter of lime. Investigators claim that they don’t know why the lime was there but lime is typically used to speed up the decay of bodies. Given the fact that body parts were found in other chambers it is possible that body parts were in the lime as well or the chamber had been intended for body disposal but not used.
Only a few of the more than 40 accused have been charged. Only those who were low level employees and not involved in the satanic ritual abuse were investigated.
Michael Aubin pleaded guilty to charges of indecent assault on young boys when he was a resident at the former Haut de la Garenne children’s home. He served less than 2 years on probation only.
Claude James Donnelly was found guilty of nearly two dozen charges of indecent assault and rape on young girls in Jerseya and sentenced to 15 years.
Gordon Claude Wateridge was convicted of eight counts of indecent assault against three females and one count of assault against a male and sentenced to 2 years.
Morag Louise Jordan and Anthony Jordan who worked at Haut De La Garenne in the 1970s and 1980s were charged with 49 counts of assaulting children in 2010 and were convicted of only 8 counts. In January 2011 Anthony was sentenced to 9 months and Morag was given 6 months in prison.
Despite the fact that police had 1,776 statements from 192 victims, identifying 151 abusers only the 7 low level staff were charged. Police have long had more than sufficient evidence for more arrests and indictments but orders from higher up have prevented prosecutions of any but the lower level perpetrators.
In November, 2010, Acting Chief Inspector Alison Fossey claimed that no one else was charged and the inquiry would draw to a close.
Some of the guilty parties, such as former warden Colin Tilbrook, who raped children at Haut de la Garenne and his own foster daughter, Tina Blee, will never face justice in this world because they are already dead.
Depsite the physical evidence, sworn testimony and witnesses, it is unlikley that anyone else will be charged or those in the government who actively supported and covered up the abuse will ever be held accountable. Victims will have to pursue civil law suits to find any measure of justice.
Deputy Chief Officer Lenny Harper, who headed up the investigation, faced sustained obstruction from fellow policemen as well as threats from members of Jersey’s government and prominent citizens. He had to bring in police from the UK to assist in the investigation due to the lack of cooperation from local police and government officials.
Some of the officials in Jersey or Britain who tried to obstruct, derail or who opposed the investigation include:
-Frank Walker – Jersey’s Chief Minister
-Philip Bailhache – Jersey’s chief judge & attorney general
-David Warcup – Jersey’s deputy police chief
-Ben Shenton – Jersey’s minister for child welfare
-Jack Straw – British MP, home secretary
Harper retired under death threats in 2008 and has been the repeated target of efforts to discredit him and the investigation he courageously led. The Jersey government even went so far as to issue an arrest warrant for Harper after he left the Island, claiming that he was under investigation for falsifying evidence.
A low-budget video was produced in 2008 by Bill Maloney and his Sister, both victims of state sponsored abuse. Bill’s sister was attacked and possibly murdered for financing the video and attempts to expose the abuse she suffered. She had also pursued unsuccessful lawsuits against the Southwark and Lambeth councils in England for the abuse she suffered while in children’s homes under their control.
“I have known from the start that this investigation would be flawed and stopped by the Jersey oligarchy.” – Jim Brown, victim of insitutional child abuse
In November, 2008, the Jersey Chief of Police, Graham Power, disputed the findings of investigators and desperately announced that there was absolutely no evidence that anyone was ever murdered at Haut de la Garenne. He wouldn’t discuss allegations of child abuse. The British media ignored the evidence and victims and loudly proclaimed that nothing really happened at Haut de la Garenne.
The Implications
Organized abuse of children in state care is all too common and often associated with satanic ritual abuse and mind control programs. While not all pedophiles or child abusers are satan worshippers, when such abuse is institutionalized and protected such as it was in Jersey, it is usually part of a larger organized program and the people who willingly engage in institutional abuse of children can only be described as evil.
Jersey is a British island close to France. British and French culture (and many others) have a long history of institutional abuse of children and the abuse continues today. People in positions of power either engage in the abuse and support it and are usually able to protect the guilty parties.
Anyone who doubts the notion that Jersey is an island run by satanists only needs to drive around the island and see the statues in front yards and gardens which are blatantly satanic. One garden has a 12 foot high statue of satan. Only a mile from Haute de la Garenne, in the front yard of a prominent citizen there were pedophile statues photographed depicting sex acts between adults and very young children. It would be illegal to publish photos of the statues here, yet in Jersey having pedophile statues in one’s front yard is perfectly acceptable.
Jersey also has no sex offender registry and almost never prosecutes those distributing child pornography or molesting children. The facts clearly demonstrate that the Jersey government and ruling class actively support pedophilia.
Jersey is a crown island and technically owned by the Queen of England. When a BBC television program covered the investigation at Haut de la Garenne and attempted to interview Frank Walker, the Jersey Chief Minister, the Queen’s appointed governing council of the BBC was forced by the Queen to publicly issue an apology. The fact that the BBC was forced to publicly apologize for merely good journalism connects this case all the way to the Queen.
Similar cases of organized abuse can help shed light on the Jersy case coverup.
Jersey Has a statue of the Devil in a place called Devil’s hole:
“The name ‘Devil’s Hole’ is a dramatic one but only invented in the nineteenth century. Formerly it was called ‘Le Creux de Vis’, ‘Le Creux de la Touraille’ or Spiral Cave. One possible derivation for its modern name is connected with the shipwreck of a French boat in 1851. Its figurehead was thrust by the tide straight into the hole and someone had the idea of getting a local sculptor to transform the torso into a wooden devil, complete with horns. Today this devil’s metal replica stands in a pool on the way down to the crater, to lend atmosphere to the winding – and in one place quite steep – path down to the Devil’s Hole itself. The hole can be peered down into from two safe vantage points.”
“Bloodlines of the Illuminati”
“p. 205) and his speeches Fritz Springmeier cites a secret castle situated near the village of Muno in Belgium. This castle according to Springmeier, is a center of the occult and has a cathedral with a dome containing 1000 lights. The castle is referred to as the Mothers-of-Darkness castle and Monarch programming is supposedly performed on children there. This castle is also known as the “Castle of Kings”. Its real name is “Chateau des Amerois” and it is located in Bouillon (Belgium), near the village of Muno. This castle and its domain, the Muno forest once belonged to Prince Philippe of Saxe-Cobourg-Gotha, Count of Flanders and father of King Albert I. He purchased the property in 1869 to the Marquis van der Noot d’Assche.The castle of Romantic style was built in 1877 for Philippe of Saxe-Cobourg Gotha by the architect Gustave Saintenoy. It has 365 windows. This castle was later bought by Alice Solvay, niece of the Belgian scientist and industrialist Ernest Solvay and today is apparently still owned by the Solvay’s.
” Presently, the Bush twins are 19 years old; and in the Illuminati hierarchical structure they are being trained/programmed to become “Mothers of Darkness”. A “Sealing Ritual” is required for females in the satanic bloodlines at age 19.
An Illuminati multiple will carry on ritual functions at a number of different levels in the occult. There will be different alters for different levels and different ritual dates. The back part of a hierarchy system will not be worked until a sealing ceremony involving Egyptian magic at the age of 19 in late Apr.-May…
Between age 16 and 19 the deep Satanic alters are working on “pathworking.” This pathworking will be completed before they are 19. The ceremony at 19 will include the 1,000 points of light ceremony at the super secret Mother-of-Darkness castle of Chateau des Amerois (Castle of Kings) close to the Belgium-French border in Europe and about 20 kilometers as the crow flies west from Luxemburg. This will be a sealing ceremony with the Mothers dressed in black. Guards and heavy forest protect the large castle from view. The people in the nearby spooky village of Muno, Bel. basically belong to the castle. The castle has a cathedral inside with a dome with 1,000 lights. The words 1,000 lights is an Illuminati buzz word. When the President used it to describe the White House’s Christmas tree, hierarchy people knew what he was signalling. The cathedral has a great hall with columns on either side, and the Queen Mother’s throne will be set up there….
(Springmeier and Wheeler, Deeper Insights; Volume II, pp. 204,213)
According to Luciferian tradition, Jenna and Barbara Bush should have been flown to Belgium by their parents to take part in their Mothers of Darkness ‘Sealing Ritual’ on schedule. The optimum date would be around May 1, the satanic holiday of Beltaine. They were, however still attending college at the time (Jenna in Texas and Barbara at Yale). This event would therefore have to be postponed to approximately one month later. Great detail is put into all Illuminati plans to avoid exposure and make things look natural. A full proof cover story is always given……
I think it would also be worth mentioning that George H.W. Bush’s reference to the “thousand points of light” probably was an allusion to this castle and ceremonies therein.